OPAL PICTURES

CHICAGO

the home of filmmaker & artist PAULA FROEHLE 

PREMIERING @ 2024 DOCVILLE BELGIUM

Feature DocUMENTARY: THE FARAWAY NEARBY

The Faraway Nearby follows the tragic life of pioneer physicist Joseph Weber, whose pursuit of gravitational waves takes him on a dizzying journey from the height of acclaim to the depths of despair and disdain when he breaks the cardinal rule of science and clings to his ideas though his results can't be duplicated. Physicists, artists, and other creatives explore the emotional side of discovery and question whether the risk is worth the journey.

DIRECTOR PORTFOLIO - SHORTS

POLITICAL SPOTS

CMP SHORT PROMO PIECES

NORTON PUBLISHING SOCIAL MEDIA PIECES

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DIRECTOR PORTFOLIO: INDEPENDENT FILMS

FEATURED MEDIA:

el relojero (The Clockmaker)

el relojero is an animated short film made in collaboration with Perry Harovas, an extremely talented 3D animator. It is based on a painting by Spanish surrealist Remedios Varo, and explores the magical realist world of creativity.

To see more of my films click below:

FEATURE DOC SHOWCASE: THE SHOW MUST GO ON: AN INTIMATE PORTRAIT OF THE FLYING WALLENDAS

For eight generations, The Flying Wallendas have amazed all who watch their daring artistry and dazzling skill. Since 1780 the Wallenda family has been a traveling circus troupe famed for their wire walking often as high as 10 stories above the ground and always without a net.

In the face of diminishing audiences, a collapsing business model and a vanishing way of life, The Flying Wallendas struggle to hold onto their rich heritage. They must beat back the harsh realities of performance anxiety, financial despair and spectator ambivalence while continuing to bring dreams to the dreamers from under the big top.

About ME:

 
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Paula Froehle is a FILM DIRECTOR, VISUAL ARTIST, EDUCATOR and ENTREPRENEUR with over 30 years experience in film and education.


As a FILMMAKER she has directed 12 films and over 20 media projects. Her directing credits include her feature-length documentary, “The Show Must Go On, An Intimate Portrait of The Flying Wallendas,” which screened at numerous festivals and is distributed by MVD Entertainment Group. She is currently working on COLONY, a documentary following an ex-con-turned-beekeeper.

As a VISUAL ARTIST she explores new approaches to traditional mediums. Most recently blending portraits and stitching to create "floating drawings".

As an ENTREPRENEUR she has been involved in the founding of several successful startups, including Opal Pictures design & film production company (2004-pres); Tribeca Flashpoint Media Arts Academy media arts college (as Founding Academic Dean, 2007-2014), and Chicago Media Project (2014-pres), a member-based nonprofit dedicated to supporting impact documentary work and presenting the DOC10 Film Festival each year.

She is also co-founder & co-fund manager of CMP Invest/Impact (CMP I/I) one of only two equity funds in the US to invest in documentary films as a "pay it forward" approach in supporting documentary work.

As an EDUCATOR she was Founding Academic Dean of Tribeca Flashpoint Media Arts Academy, where she developed an intensive, immersive degree program in Film & Broadcast Media, Recording Arts, Game Design & Interactive Media, VFX & Animation and Design & Visual Communication.In addition Froehle has developed MA curriculum in Social Impact Media for Saybrook University, Oakland, CA.


MOVIES THAT HAVE INSPIRED ME:

Un Chien Andalou by Bunuel + Dali

Meshes of the Afternoon by Maya Deren

La Jetee by Chris Marker

Man on Wire by James Marsh

Anything by the Quay Brothers

ICARUS by Bryan Fogel

306 Hollywood by Elan & Jonathan Bogarin

so many others...

FAVORITE PLACES

Sardinia

The coast of Maine

Cadaques, Spain

Santa Fe

Joshua Tree

My home

“It's all in what you choose to put a frame around in the world.”

My first film. A found footage loop, optically printed. My first love.

THE HUMAN CANNONBALL

Watch - at 1:14 something extraordinary happens.

DAD @ 80 + new technology = just speeding along.


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CREATIVE PORTFOLIO

I have always kept sketchbooks, a private record of - and respite from - my day. When I discovered the Japanese accordion-style book, I began to see relationships between drawings done over many days, or weeks or years. I now think of them as "exquisite corpses" with my inner spirit.

Click on the image to see more: